39 years ago today, Fleetwood Mac’s Rumours began a long run at the top of the Billboard 200 chart, where it would stay for a (nonconsecutive) 31 weeks. The only brief interruptions in the number one spot were from The Eagles Hotel California and a live Barry Manilow album. No thanks. Since its release, Rumours has sold over 40 million copies worldwide—behind Michael Jackson’s Thriller (makes sense), and, for some reason, Meat Loaf’s Bat Out Of Hell.
Anyway, Rumours is flawless—don’t listen to this guy. And not only is it flawless in and of itself (Robert Christgau wrote that it “it jumps right out of the speakers at you”) but the tales of its recording are notoriously batshit crazy, too.
“It really was the beginning of the dream…” says the band’s Stevie Nicks.
The arrival of Lindsey Buckingham and his then-girlfriend Stevie Nicks to Fleetwood Mac in 1974 kicked the band’s commercial fortunes into serious high gear. Although the group was founded in 1967 and had already released nine studio albums, they had never visited the top 20 of the Billboard 200 chart. In contrast, the Mac’s first album with Buckingham and Nicks, the 1975 self-titled set, shot to No. 1 and sold five million in the U.S., according to the Recording Industry Association of America (RIAA).
But even bigger success was on the horizon with 1977’s blockbuster Rumours, which spent 31 weeks atop the list and has shifted 20 million.
Its second single, the Nicks-penned “Dreams,” became the band’s first (and so far only) No. 1 on the Billboard Hot 100 (on the list dated June 18, 1977) and was their first gold-certified single by the RIAA.
“My small pink 45 gold record of ‘Dreams’ hangs in my ocean apartment [in Santa Monica, Calif.] as we speak,” Nicks recalls to Billboard. “It has hung in every house I have lived in since the day I first received it. When I pass by it, I reach out and touch it. It really was the beginning of the dream …”
“Dreams” is one of 25 entries on the Hot 100 for the band, who also visited the top 10 eight other times with such hits as “Little Lies” and “Don’t Stop.”
The dreamy Rumours-era lineup of the band (Buckingham, Nicks, Mick Fleetwood, Christine McVie and John McVie) released three more top 10 studio albums before fracturing in 1987 after the departure of Buckingham. The quintet reconvened in 1997 for that year’s No. 1 live album The Dance and once more in 2014 for the On With the Show world tour. That trek continues through Europe, Australia and New Zealand this year. A new studio album is also in the works – and would be the first from the Mac’s fab five since 1987’s Tango in the Night.
Keith Caulfield / Billboard / Thursday, June 18, 2015
There are countless breakup songs across the musical landscape, but Fleetwood Mac’s Rumours is much more than that; it’s a breakup album that happens to be dripping with the band’s coked-out excess.
Personal lives absolutely falling apart have never sounded so catty and catchy at once as they do on Rumours. Between the divorce filing of John McVie and Christine McVie, the breakup of Stevie Nicks and Lindsey Buckingham (and Nicks’ eventual “shacking up” with Mick Fleetwood), the band weren’t exactly hurting for material.
…And did we mention the coke? It’s heavy use by the band has been well documented and was so prolific, Fleetwood reportedly wanted to thank his dealer in the album’s credits.
All 11 tracks that make up Rumours could easily be singles, which could be why it has sold a staggering 40 million copies worldwide, with 20 million copies sold in the U.S. alone.
In short, it’s a pop-rock masterpiece, and it’s likely one of the few times it’s okay to be thankful for the pain and heartache of five individuals.
By Jacqui Swift The Sun (UK)
Friday, February 1, 2013
IT was one of the top-selling albums of the Seventies which turned Fleetwood Mac into the biggest superstars in the world.
But with all the broken hearts, tempestuous affairs and excessive drink and drugs, the making of 1977’s Rumours came at a price.
Chris is getting on a plane and flying to Hawaii with me. I’m going to hold her hand all the way, even if I have to handcuff it.
This week, almost 36 years after the seminal record hit shelves, an expanded and deluxe version of the album is released including original B-side “Silver Springs,” unreleased live recordings, outtakes, and documentary The Rosebud Film.
Rumours was huge, selling more than 40 million copies, and made the entangled lives of Brits Mick Fleetwood, husband and wife John and Christine McVie and US couple Lindsey Buckingham and Stevie Nicks, one of rock ’n’ roll’s legendary stories.
Songs such as “Don’t Stop,” “Go Your Own Way,” “You Make Loving Fun,” “The Chain” and “Dreams” are as popular as ever today. With a world tour opening in the US in April and a UK tour planned for September, Fleetwood Mac are winning over a new generation of fans as well as their hardcore devotees.
When we meet in a west London hotel, 6-ft-5-in Fleetwood says: “There are young people who are so happy this tour is happening.”
Now 65, the drummer has a healthy tan after years of living in Hawaii but has retained his English accent.
He says: “It’s a new generation that have been turned on to our music. Rumours is our most famous album but it leads to all the others. It’s like someone finding a Neil Young album and going, ‘What? There’s more?’
“Sonically it’s a very clean, un-gizmoed record which has been a huge blessing. We didn’t call in a slick, Hollywood producer and there were none of the sound effects you hear in music today.
“We made a beautifully recorded album that worked. It’s all about the music, which I don’t think dates and still speaks for itself.”
The multi-platinum album, which debuted at No. 1 across the world and spent 31 weeks topping the US charts, looks set to re-enter the UK Top Ten on Sunday.
It’s already spent a total of 493 weeks on the Official Albums Chart to date and, for the band, it represents them at their most accusatory and confessional.
As he tugs away at his white beard, Fleetwood says: “As a band who were experiencing a breakdown of personal relationships, the music was the only way we could talk.”
Buckingham’s “Second Hand News,” “Never Going Back Again,” and “Go Your Own Way” were about the guitarist’s troubled relationship with longtime girlfriend, singer-songwriter Nicks.
Her song “Dreams” has the line: “You say you want your freedom. Well who am I to keep you down?” “You Make Loving Fun,” written by keyboardist Christine McVie after she’d started an affair with lighting director Curry Grant, and “Don’t Stop” had personal messages to bassist husband John, which were hard to bear.
Fleetwood reveals: “We communicated through music — which hurt.
“Imagine hearing what was going on with your partner through a song? As writers, they were saying they were angry and hurt through music which, yes, were pop songs, but had a certain darkness.
“Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren’t so easy. And it was our music that helped us survive. But all of us were in pieces personally. I was the only one spared as I didn’t have to work with my wife. Jenny and I had broken up and she was involved with someone that I knew really well. It was hard, but I knew why.”
Fleetwood then started a two-year affair with Nicks.
He says: “I had pretty much left Jenny anyhow and I was licking my wounds. It was a mess and there we were in the studio.”
In an earlier chat with Nicks, the singer told SFTW: “No one was willing to give up Fleetwood Mac — it just wasn’t an option.
“Whatever happened between me and Lindsey or the others, the power of the band and the music meant more.”
Fleetwood adds: “It wasn’t heroics, and it wasn’t easy but as Lindsey recently said to me, ‘We were brave — emotionally brave’.
“God, there are worse things that can happen to people, but when couples break up they don’t then immediately spend huge amounts of time with each other.
“It would’ve been easier for us all to run away than make Rumours.”
It wasn’t just in their personal lives that they were suffering. Drugs, especially cocaine, were everywhere in the studio — a bag always stashed under the mixing desk.
Fleetwood confesses: “Stevie and I were the worst offenders. We took it to the ‘nth’ degree.
“We were the last to get off the horse and although we try to put it in good humour, we were very lucky to get through all of that.”
Nicks’ cocaine addiction resulted in a hole in her nose.
She reveals: “A plastic surgeon looked at my nose and told me it would collapse if I carried on.
“My vanity made me stop. I didn’t want to be a dead drug addict — least of all one with a collapsed nose.
“I called Betty Ford (Clinic) straight away but then I was given the tranquiliser Klonopin to keep off the coke. That was worse — I couldn’t move or get up. I was out of it for eight years.”
It was all a long way from the band’s beginnings in the Sixties British blues boom.
Fleetwood Mac started out in 1967 under the helm of legendary guitarist Peter Green.
But when he quit in 1970 and success dried up, the band drafted in first Christine then later the American duo Buckingham and Nicks to give the band a new direction — and the hits just kept coming.
Since Fleetwood Mac last toured in 2009, there has been talk of a new album.
The four band members — Christine McVie quit in 1998 after her fear of flying stopped her travelling — have been in the studio but Nicks’ solo career has delayed work. Fleetwood says: “I did think at one point that we may never tour again. And for once I was public about how I saw it. I am the worrier of the band and need Stevie and Lindsey back or we can’t go on.
“Lindsey had quit quit the band just before the Tango In The Night world tour in 1987 but we got him back in 1992 thankfully. But Fleetwood Mac now could never continue without Stevie especially.
“The truth is she is the only member that can go out and still command a whole audience’s attention span — in her own right in her solo work AND as a member of Fleetwood Mac.
“Anyway, I aired my views and worries and I’m sure it freaked Stevie out because immediately she was asked by everyone if the band would ever tour again. And, of course, she wanted back in.
“Then me, Lindsey and John went into the studio six months ago, because we just wanted to start something. Stevie had been busy with her solo album and tour and she had just lost her mum. So we just put the idea of a new record on the back burner.
“But she’s been in the studio with Lindsey and sung on two or three of his songs and they had a fantastic time. There’s about seven songs in total.
“We’re hoping we can put some new songs out as an EP around the time of the tour. Stevie and Lindsey are singing together more, as it worked so well on stage when we toured. Stevie and Lindsey are in a good place today, which is cool.
“And on the tour we’re intending to play a couple of new songs as well as the ones we have to play or we’d be shot. But we might reapproach some songs in a totally different way.
“I know John is keen for us to play “Crystal” (from the cult 1973 Buckingham Nicks album) as that’s the song I heard when I invited Stevie and Lindsey into the band.
“We might even let the audience ‘pick a song’ via some technology on the night and do a mishmash of the songs chosen.”
The big news for devoted Fleetwood Mac fans is that the band are reuniting with Christine McVie.
Fleetwood reveals: “I spoke to her just before I walked through that door to speak to you for this interview.
“I’m seeing Chris here in London before I leave and even though she loathes flying and she’s never been back to the United States since the day she left, she is getting on a plane and flying to Hawaii with me. I’m going to hold her hand all the way — even if I have to handcuff it.
“We miss her and love her, and I hope I’m a part in persuading her to return.
“She’s going to come and stay for three weeks in Maui — I’m getting goosebumps just thinking about it. John’s going to come over from Honolulu to see her.
“And then she’s going to LA to see Stevie, who misses her terribly and is really excited to see her.
“But it’ll be her decision. But we’d make her very welcome if she wanted to creep on that stage again.
“Fleetwood Mac are back and it’s going to be a great tour. It’s only right that Christine joins us too.”
The Florence and the Machine singer pays tribute to her hero
By Florence Welch Rolling Stone
Thursday, April 28, 2011
THE FIRST TIME I HEARD Stevie Nicks, I had just fallen in love with a boy in a band. I was on a family holiday in Italy. Fleetwood Mac’s Rumours was one of the only CDs at the house where we stayed, and I was like, “Oh, OK. What’s this?” I listened to the whole thing nonstop. There’s something about Stevie that’s really pure. When she sings, she sounds angelic but also wild and free, like she’s getting completely lost in the song. Her new album, In Your Dreams, is just classic, classic songwriting. With the big, expansive guitar sounds, it’s moving in a more modern direction, but it still sounds like Stevie Nicks. She’s very much a storyteller, and she has a fantastic ability to make songs that you feel immediately connected to. Creating that intimacy while also retaining a mystique is something I learned from her. She also definitely influenced me to wear a cape. I love a cape onstage.